広間Atrium Studio
Studio · The Great Room · v.5
Issue2026 · Q2
Closed30 Apr
Open seats2
— § 01 · The studio, in a single room

A small atelier of templates, editorial systems, and quiet tooling.

We make objects that other people set words inside — decks, documents, catalogues, dashboards. The work is slow and the books are open. This page is what the room looks like, what has been made in it this year, and how to engage the studio for the year ahead.

Founded 2021 · Kyoto & London
Studio 4 principals · 2 apprentices
Engagements by introduction
Year-to-date14 artifactsdecks · docs · sites
Engagements9 complete+ 3 in progress
Press & talks6incl. AIGA · Eye no. 104
Book sales1,420Working Drawings · pre-orders
Subscribers3,887Foyer · Lantern
— § 02 The practice

We design the shelf the words sit on.

The studio's work is in templates: the disciplined, unromantic objects that other people pour content into. A deck. A document. A landing page. A dashboard. The question we keep asking is whether the object holds when the writer is tired and the reader is tired, which is most of the time.

We work in three registers — soul, genkan, cockpit — named for the rooms they belong to. A register is not a style; it is a set of rules about restraint. Choose the register first, and most of the design has already been made. What remains is the writing.

The studio's hand is in the system, not the artifact. The artifact is the writer's.
— 01Soul · deck

Threshold

For The Lantern, Vol. III · 32 plates
SetCormorant
Plates32
Run800
— 02Soul · doc

Hearth

For K. Mori & Co. · annual report
Pages96
EditionFirst
BindSewn
— 03Genkan · site

Atrium

For Atrium Press · marketing site
Pages7
Tokens142
A11yAAA
— 04Cockpit · ops

Bastion

For Postern Labs · SRE dashboard
Panels28
DensityHigh
ModeDark
— § 03 · A line we keep returning to

One thousand no's for every yes; the artifact is what survives the refusing.

— studio handbook, p. 14 · revised quarterly
— 05Case · before

Inkstone — first draft

For Inkstone Press · trade paperback
Reads6.4 hrs
Returns12.1%
NPS+18
— 06Case · after

Inkstone — second edition

For Inkstone Press · trade paperback
Reads8.1 hrs
Returns3.2%
NPS+62
— § 04 Case study · Inkstone

Three columns down to one; readers stayed twice as long.

Inkstone Press came to us with a literary trade paperback whose returns were running at twelve per cent — high enough that the next edition was at risk. The editorial was excellent. The artifact was not.

We re-set the book on a single column at a 56-character measure, in Cormorant at fourteen on twenty-three. We cut the running heads, moved the chapter numbers into the margin, and let the white space do work. Three months after the second edition shipped, returns were at three per cent and average read-through had risen by twenty-six per cent. The book had not changed; the room had.

Studio instruments — year-to-date

— § 05 · Closed 30 Apr 2026 · refreshed monthly
Engagements completed 9 of 12

Three currently in galleys; close by mid-July.

Books shipped 1,420

Working Drawings, pre-orders. Trade run autumn.

Pages typeset 3,182

Across all engagements; not counting drafts.

Editorial hours 812 hr

Half on existing clients; half on the press.

Refused engagements 37

The studio takes one in four. The rest become recommendations.

Apprenticeship cohort 2 of 2

M. Tanaka (typography), A. Kerr (editorial).

— § 06 · Ledger

Selected engagements — since the last issue.

9 entries
Year Client Role & artifact Register State
26·Q2 The Lantern Volume designer · 32-plate quarterly Soul Shipped
26·Q2 Inkstone Press Editorial & type · 2nd edition Soul Shipped
26·Q2 Postern Labs Information design · SRE console Cockpit Shipped
26·Q1 K. Mori & Co. Annual · 96-page bound report Soul Shipped
26·Q1 Atrium Press Identity & site Genkan Shipped
26·Q1 Vellum (in-house) Product shell, dark mode Genkan / dk Shipped
26·Q3 — in galleys Working Drawings · studio book Soul In-press
26·Q3 — under NDA Mission control · agent ops Cockpit In-progress
26·Q4 — under NDA Catalogue · spring trade Genkan Briefed
— § 07 · The studio, signed
Akira Soseki & the studio

The room is open by introduction. If you have a project that needs the kind of slowness we work in — write to the studio at the address opposite. We answer every letter, even the ones we decline. The decline tends to be the more useful one.

By post
Atrium Studio
2-7 Kyō-machi · Kyoto 604-8005
By wire
studio@atrium.press
Hours
Tue–Fri · by appointment
Set in Cormorant · Inter · JBM
Issue HI-26-Q2 · v.5